Rabu, 08 Agustus 2012

The Use of Drama Activities for Developing Speaking Skill in Primary School



The successful speaking English is the ability to demonstrate interactive conversation with other speakers of the language (H. Douglas Brown, 2001). But, All students of senior high school graduated in Indonesia have studied about English about 9 years but the result is they still can’t speak English fluently. This is happened because it doesn’t have any balance both in theory and practice in learning foreign language, including speaking (Chaedar Alwasilah, 2008). In the contrary, drama is the useful speaking activities but it is seemed rarely used in Indonesia primary school curricula. Based on Eduardo Encabo (2008), drama helps the acquiring and development of all the necessary tools to improve oral expression in elementary school because drama provides many learning activities that need both theory and practice. Also, teaching drama through performance will make students automatically do both reading and speaking skills without disturbing their enthusiastic of the subject. Drama activities make students more active in the class and build the situation between students and teacher closer (Joon taek Jun, 2000).

Drama is one of the ways in learning activities in the class. Cecily O’Neill and Alan Lambert (1982, p. 13) said that, “Drama is essentially social and involves contact communication and the negotiation of meaning”.  According to Wendy, “Speaking is the most demanding skill so that the students are able to express emotions, communicate intentions and reactions, explore the language and make fun of it like they use their own language” (Wendy A. Scott and Lisbeth H. Ytreberg, 1990, p. 33). Then, “Primary school is commonly taken to mean the first stage of compulsory education, from the age of 5 until transfer to secondary education. It may be given in a primary school (with infant and junior departments) or in separate infant (5-7) and junior (7-11) schools, or in the first schools (5-8) (5-9) (5-10), middle schools (8-12), or combined schools (5-12)”. (R. J. Campbell, 1988, p.3).

Many characteristic of students in primary school is suitable to drama activities. Young learners can use their vivid imaginations, understand situation more quickly than they understand the language used and also they use language skills long before they are aware of them. Drama can be fundamental in establishing better communication, because it shows many aspects of life and includes also elements related to creativity and fantasy. (Wendy A. Scott and Lisbeth H. Ytreberg, 1990). According to South Lanarkshire Council (2003), Children of 5 and 6 also recognize and respond to familiar stories and these can be very useful for drama activities. They will be more enthusiasts to take an individual role in activities, and this can be encouraged through drama and it will develop the confidence that is required for their future learning.

Abdulhak Halim Ulas (2008) suggested that there are six learning principles when students learn speaking through drama. First, meaningful content can be learned by students better than other content. Second, learning occurs as a result of a student’s interaction with his environment. Third, the more sensory organs a student uses while learning, the greater the absorbtion of the lessons. Forth, a student can absorb all the materials by learning and doing. Fifth, effective participation is  important  in controlling learning and emotional. The last is learning becomes easier  and  more  permanent  in educational environments where there is more than one stimulus. 

Drama activities have positive contributions to the general education process and these activities can improve speaking skills. According  to  Makita (1995),  drama and role-play  activities  are  a classroom techniques  that  encourage  students  to  participate actively  in  the  learning process.  It  is  important  to know  that drama activities  take  different  forms and the  teacher  can provide  students with  a  variety of learning  experiences  by  developing  different methods  according  to  individual  needs,  interests and  learning  levels.  In  addition,  these  role-play activities  enable  the  teacher  to  create  a  supportive and enjoyable classroom environment where students are motivated to learn the target language. Another who agree with drama which can improve speaking skills is Wessels. Wessels (1987) said that drama activities help to bring written materials to reality life by implanting the feeling of imagination and knowledge for the learner and make them more active participant  in  the learning process. Students will improve their comprehension because drama also provides the opportunity to place students directly in learning experience.  It  is  concluded that drama  activities  are useful  in motivating  students, holding their attention and stimulating their creativity.  Goodwin (2001) on Abdulhak Halim Ulas research, also  stated that the various components of communicative competence (discourse intonation, pragmatic awareness, nonverbal communication) can be practiced at the same time in drama activities so that drama can be an effective tool for pronunciation teaching.

 According to the material of Art On The Move (2003), teacher can do some drama activities such as: drama games – these are excellent for teaching a number of skills and abilities, including negotiation, concentration, speaking and listening skills, name learning, cognitive ability, team work and many others. Play physical games are to establish rules and codes of conduct – any tag games or simple running-around games are excellent. Teacher also can use clapping games to develop speaking and listening skills. Simple movement exercises, such as mirrors, robots, statues, etc., will increase spatial capability and develop the concentration. Another is Musical Statues is an example of a movement game. The others are Follow-my-leader and copying games are good for building confidence and introducing work in a non-threatening way. Mime work is an activity which introduces the concept of ‘pretending’. Teacher can use many stimulus like: familiar stories, music, pictures, sounds, etc. The children will respond well to have their drama activities through a ‘forced’ idea or subject.

So, Through the use of drama activities in the class, students not only improve their oral skill structured but also their principles of language and knowledge, their body (dance is included in drama), their voices, rhythm (exercises with songs are able to improve phonetics or reading), their attitudes of aesthetics (theri creativity of texts, verbal improvisations) and their knowledge and comprehension of reality, which helps them to solve concrete problems in a clear way.


 Refferences :
Alwasilah, Chaedar (2008). Perspektif Pendidikan Bahasa Inggris di Indonesia dalam Konteks Persaingan Global. Bandung: CV. Adira.
Arts on the Move, South Lanarkshire Council (2003). Drama in the Primary Schools. Available at: www.artsonthemove.co.uk
Brown, H. Douglas (2001). Teaching Principles: An Interactive Approach to Language Pedagogy, 2nd Edn. New York: Addison Wesley Longman, Inc.
Campbell, R. J. (1988). The Routledge Compendium of Primary Education. London: Rouledge. p.3.
Encabo, Eduardo, et all. (2008). Drama as a Resource to Improve Oral Expression (Verbal and non-verbal) at Elementary School: A Study Through Different Disciplines and Teaching Suggestions. Available at: http://74.125.153.132/search?q=cache:DKNidL_mBRMJ: www.hltmag.co.uk/jun08/mart01.doc+Eduardo+Encabo,+drama+helps+the+acquiring+ and+development+of+all+the+necessary+tools+to+improve+oral+expression+in+elementary+school&cd=1&hl=id&ct=clnk&gl=id
Jun, Joon Taek (2000). Drama and EFL. Journal. Available at: http://pc171115.pc.waseda.ac.jp /ccdl/cl_korea/0626_handout.html
Makita, Y., (1995). The Effectiveness of Dramatic/Role-Playing Activities. In: The Japanese Language Classroom. Available at: http:// journals2.iranscience.net:800/mcel.pacificu.edu/ mcel.pacificu.edu/aspac/papers/scholars/makita/makita.htm.
O’Neill, Cecily and Alan Lambert (1982). Education and Dramatic Art, 2nd Edn. USA: Heinemann Educational Books, Inc, p. 13
Scott, Wendy A. And Lisbeth H. Yteberg (1990). Teaching English to Children. London: Longman, p. 33
Ulas, Abdulhak Halim (2008). Effects of Creative, Educational Drama Activities on Developing Oral Skills in Primary School Children. American Journal of Applied Sciences.
Wessels, C., (1987). Drama. Oxford: Oxford University Press. Available at: Googlebook

Selasa, 07 Februari 2012

Memahami Pembelajaran Bahasa Inggris dalam konteks Pendidikan di Indonesia


Dewasa ini, pemerintah sudah mencanangkan sistem pembelajaran terpadu mengenai pendidikan di Indonesia. Adanya Standard Kompetensi atau Kompetensi Dasar (SKKD) menjadi acuan para guru untuk mengajar pelajaran di kelas. Pengadaan RPP dan syllabus juga mengarahkan guru agar apa yang selama ini diajarkan di kelas bisa terkonsep, diketahui tujuannya, dan dapat dianalisa hasilnya yang  tidak hanya untuk kebaikan siswa tapi juga guru.

Untuk mengerti maksud dan tujuan pemerintah yang tertuang dalam Standar Kompetensi, khususnya dalam standar kompetensi mata pelajaran bahasa Inggris, setidaknya harus ada pemahaman mengenai akan dibawa kemana system pembelajaran bahasa Inggris ini.

Menurut latar belakang standar kompetensi mata pelajaran bahasa Inggris, Kemampuan berkomunikasi dalam pengetahuan utuh adalah kemampuan berwacana. Jadi, bila ada istilah mengenai ‘kemampuan berwacana’, maka bisa dinalar bahwa kemampuan berwacana adalah kemampuan berkomunikasi. Kemampuan berwacana dalam pembelajaran bahasa Inggris mencakup dua hal, yaitu lisan dan tulisan, yang kedua-duanya mencakup empat skill, yaitu listening, speaking, reading, dan writing.

Kemampuan berwacana dalam pembelajaran bahasa Inggris harus disesuaikan dengan tingkat litearsi tertentu, atau dengan kata lain menurut hemat saya, adalah goal dalam pembelajaran bahasa Inggris dan di setiap grade pendidikan memiliki tingkat literasi yange berbeda-beda dan BERJENJANG. (mis, SD, SMP, SMA, Perguruan tinggi). Tingkat literasi ini adalah performative (orang mampu membaca, menulis, mendengarkan, dan berbicara), functional (orang mampu menggunakan bahasa untuk memenuhi kebutuhan hidup sehari-hari, mis. Surat kabar), informational (orang mampu mengakses ilmu pengetahuan dengan kemampuan berbahasa), dan epistemic (orang mampu mengungkapkan pengetahuan ke dalam bahasa sasaran).

Yang belum saya ketahui saat ini adalah pengkategorian tingkat literasi diatas, karena sya yakin jika kita melihat tingkat literasi tersebut, hal itu dibuat berjenjang. Tetapi belum ada kejelasan dalam latar belakang tersebut yang mengatakan secara spesifik apakah tingkat literasi performative untuk tingkat SD, lalu tingkat literasi functional untuk tingkat SMP, dsb, atau yang lainnya. Untuk itu sumbangsih saran dan ide sya perlukan dari para pembaca. Terima kasih J

Rabu, 11 Januari 2012

How to go to Solo from Madiun

While waiting my school begin, I decide to spent my holiday in Solo. Before going to Solo, I stay for a night in Madiun, and I take a train to go to Solo. When you depart from Madiun and you want to go to Solo, there are two trains that you can choose; an exclusive train with Air Condition a.k.a Madiun Jaya AC and an economic class train without air conditioner or Madiun Jaya Non AC. The first one spent Rp. 40.000 and the last one spent Rp. 20.000 ( It's cheap right?? but It doesn't save you from pickpocket  *smile* )
Madiun Jaya AC



I choose Madiun Jaya AC because there are rumors of pickpocket in economic train. Even tough it is more expensive, but I can enjoy very much about the journey. The train left the train station at 5.30 a.m and arrive at Solo at 7.30 a.m. Two hours are enough for me to amaze the landscape from madiun to Solo. I suggest you to sit in the left sit, near the window, and face the east side. (You will feel your journey are being accompanied by a very big mountain :lol: )  

I arrive at Solo Balapan station and I go to Kraton Solo by Becak or Pedicab. Beware!! the standard cost is Rp10.000 up to Rp.15.000. If the driver asks you to pay more than the range, just leave him or try to bargain   B-) B-)
Solo Becak
Klewer Market
Kraton Solo

After you arrive at Kraton Solo, you can also enjoy Pasar Klewer. It is the main batik traditional market in Indonesia. You can get Rp 75.000 for a couple batik (two pieces). Awesome, right?? *dances* *dances**dances*

Happy travelling!!